disengaging the feeling of being bound to usual structures and elements, musical freestyle with influences from most different lines, from all around the world and from other worlds: that's how broken spirits sounds.
engaging oneself in the music consciously, drifting into the sound worlds inwardly and reflecting during listening, embracing the foreign, going in for rough edges: that's what broken spirits demands.
new sounds, noises and effects, unusual means of sound creation such as any acoustically usable objects in addition to conventional instruments: that's what broken spirits seeks.
far off the single charts and the marketing-compatible fast food music there is still a lot to seek, still a lot of non-varnished to discover. like the underground behind the infested way of thinking deprived of its soul and its original character: that's where broken spirits feels at home.
// the origin of broken spirits
in november 2002 i brought the teamwork with kahuna to an end due to artistic differences.
neither there nor at the projects i took part before it was possible to me to act out my stylistic ideas, so i had to make the decision either to continue making music i can't identify with or, irrespective of the musical orientation of any other band members, to focus fully on my own music, completely without compromises or restraints from the outside.
so at the origin of my music i do the most by myself, drawing selectively on the contribution of changing guest musicians for its enrichment.